Guitar, classical

Guitar Back-Fitting Jig [Ted Davis], v1p13

Radiation from Lower Guitar Modes [Graham Caldersmith], v1p68

Manuel Velázquez: An Appreciation [William Cumpiano], v1p96

A Chat with Don Manuel [William Cumpiano], v1p99

Tárrega Played a Maple Guitar [David Macias], v1p114

In the Ramírez Workshop [William Tapia], v1p140

Making the Ramírez Guitar Nut [William Tapia], v1p145

William DelPilar: Thirty Years of American Lutherie [Ted Davis], v1p150

Classic Guitar Soundboard Graduation [Tom Blackshear], v1p195

Kasha Guitar Soundboard [Gila Eban], v1p214

Kasha Soundboard without Waist Bar [Gila Eban], v1p266

An Overview of the Hauser Tradition [Jeffrey R. Elliott], v1p274

Tuning the Guitar [Ian Noyce], v1p288

Relation of Science to Aesthetics in Lutherie [Michael Kasha], v1p290

Bars and Struts [José Ramírez III], v1p292

Compensating Classic Bridge [H. M. Kolstee], v1p330

Musical Strings [H. E. Huttig], v1p334

Cutting Classic Head Slots [Richard Jordan], v1p336

The Spanish Patrón [William Conrad], v1p344

Dissolving the Mysteries [Graham Caldersmith], v1p346

Memories of Vladimir Bobri [H. E. Huttig], v1p358

The Effect of Bracing on Guitar Resonance [J. and O. Jovicic], v1p402

Innovative Concepts within Fixed Limits [Gila Eban], v1p420

An Interview with Jeffrey Elliott [Joseph Bacon], v1p454

Nylon/Steel String Guitar [Francis Kosheleff], v1p463

Letter to the Editor [J. G. Molnar], v1p466

Review: Classic Guitar Making by Overholtzer [William McCaw], v1p486

Review: Guitars: From the Renaissance to Rock by Evans [C. F. Casey], v1p488

Review: Julian Bream: A Life on the Road by Palmer [Gila Eban], v1p496

Review: The Fine Guitar by Oribe [C. F. Casey], v1p498

Review: Guitar and Vihuela: An Annotated Bibliography by McCutcheon [Joseph Johnson], v1p499

Review: The Flamenco Guitar by George [David Macias], v1p503

Review: A Guitar Maker's Manual by Williams [Cyndy Burton], v1p500

A Remembrance of Segovia [R. E. Bruné], v2p2

The Maestro's Hauser [H. E. Huttig], v2p4

A Meeting with Andrés [Richard Schneider], v2p5

Harmonic Analysis of String Excitation Methods [J. and O. Jovicic], v2p20

Epitaph for a Luthier: Miguel Company [H. E. Huttig], v2p23

Flamenco Capo [D. Alfieri], v2p25

Meet Manuel Davila [H. E. Huttig], v2p61

Letter to the Editor [Beverly Maher], v2p80

Letter to the Editor [R. Elliott], v2p80

The "Belly Art" of Japanese Lutherie [R. E. Bruné], v2p86

Traditional Rosette Making [H. E. Huttig], v2p104

An Interview with H. E. Huttig [David B. Fisher], v2p109

Remembering Hermann Hauser II [H. E. Huttig], v2p154

Guitar Sound Criteria [Thomas Knatt], v2p200

Soundboard Bracing Considerations [Paul Wyszkowski], v2p201

Toward a Classic Guitar Family [Graham Caldersmith], v2p222

A Baroque Guitar Restoration [R. E. Bruné], v2p250

Head V-Joint [Duane Waterman], v2p282

Making Bridges Using Power Tools [Kent Rayman], v2p289

Meet Bill McCaw [Jonathon Peterson], v2p319

Evolving the Classic Guitar Soundboard [Ted Davis], v2p340

José Romanillos: On the Path of Utter Dedication [Gila Eban and Duane Waterman], v2p346

Reflections on Segovia's Guitars [Jeffrey R. Elliott and Cyndy Burton], v2p358

Andalusia and the Modern Guitar [R. E. Bruné], v2p372

Meet George Smith [Jonathon Peterson], v2p398

Meet José Yacopi [Roberto Blinder], v2p414

Lutherie in Romania [Gabriel Petric], v2p420

Structural Considerations [Paul Wyszkowski], v2p452

Bob Mattingly's Building Process [Duane Waterman and William Tapia], v2p456

Questions [Cyndy Burton], v2p480

Review: Guitarmaking: Traditon and Tech. by Cumpiano and Natelson [Cyndy Burton], v2p490

Review: Antonio de Torres, Guitar Maker by Romanillos [Burton and Elliott, Huttig, and Schneider], v2p496

Julian Bream's 1973 Romanillos Guitar [Kevin Aram], v3p2

1973 Romanillos Plan [Kevin Aram], v3p12

Looking at Lutherie Schools [Banchero, Freeman, Kirmser, Vincent, Warnock], v3p16

Bending Sides with Silicone Blankets [Michael Keller], v3p30

Using Your Work Space [Brandt, Bruné, Elliott, Schneider, Somogyi, Wilson], v3p80

A Day on Lost Mountain [Jonathon Peterson], v3p122

Free Plate Tuning [Al Carruth], v3p136

The Spanish Guitar at the Metropolitan Museum of Art [R. E. Bruné], v3p194

Meet the Maker: Maurice Dupont [Paul Hostetter], v3p200

Letter: Met Guitar Show Catalog [R. E. Bruné, José L. Romanillos], v3p203

Meet the Maker: Richard Schneider [Jonathon Peterson], v3p206

Segovia's 1937 Hauser Revisited [R. E. Bruné], v3p212

Commercial Graphite Acoustic Guitars [John Decker], v3p224

An Interview with H. E. Huttig [R. E. Bruné], v3p250

The Mystery of "La Inédita" [R. E. Bruné], v3p253

Antonio Raya: Granada's Rising Star [Lisa Hurlong], v3p265

Meet the Maker: Roberto Gomes [Cyndy Burton], v3p272

Brazilian Guitar Makers [Roberto Gomes], v3p278

Torres Guitar Restoration [R. E. Bruné], v3p280

Reproducing the Finish of the "Rawlins" Stradivari Guitar [Geary Baese], v3p292

A Timely Top Replacement [Jeffrey Elliott], v3p316

Letter: Questions about Segovia's 1937 Hauser [R. E. Bruné, Barry Zolo], v3p351

Meet the Maker: Scot Tremblay [Jonathon Peterson], v3p405

1816 Martinez Guitar Plan [Scot Tremblay], v3p409

Review: Fine Woodworking Design Book Five [Harry Fleishman], v3p464

Review: Modern Classical Guitar by Sprenger [Fred Casey], v3p465

Review: Making Guitar 1 by Fort and Riss [Lloyd Zsiros], v3p468

Review: The Ultimate Guitar Book by Bacon [Lloyd Zsiros], v3p469

It Worked for Me: Pointed Rosette [Fred Casey], v3p482

In Memoriam: Arthur Overholtzer [Bruce McGuire], v3p500

In Memoriam: Hart Huttig II [R. E. Bruné], v3p501

In Memoriam: Robert Mattingly [Chris Hanlin], v3p505